Sunday, February 11, 2018

song structure

https://en.wikipedia.org/wiki/Song_structure

http://www.songstuff.com/song-writing/article/song-form-overview/

https://en.wikipedia.org/wiki/Musical_form

12 bar: out of 4 bars - 2.5 bar is vocal & 1.5 bar is instrumental: it is AB form

Indian music: chorus + verse + chorus + verse + chorus = ABCABCAA: A = Chorus: B = Antra: C=Bridge

Song structure = musical forms

32 bar form
12 bar blue
AABA

ABABCB song: https://www.youtube.com/watch?time_continue=81&v=kTHNpusq654

Western music: same size sections: intro+ABABCB+outro

introduction (intro), verse, pre-chorus, chorus (or refrain), verse, pre-chorus, chorus, bridge ("middle eight"), verse, chorus and outro. 

The formal sections found in songs are the verse, chorus, bridge, and refrain

The foundation of popular music is the "verse" and "chorus" structure

- Repeated sections: both chorus and verse music repeats.
- Chorus/refrain/hook/sthayi/mukhada: repeated section with same lyric: repeated lyric = repeated section/part
- Verse = antara = must have same music but different lyric: repeated section with different lyric: different lyric
- bridge: a small piece of music that connects two sections of a music


Verse played first:

cadence: the melody element that give sense of rest. Usually the cadence ends at the key note

coda: end piece of music

ABABCB: verse1 + chorus + verse2 + chorus + bridge + chorus + chorus

interludes: instrumentals connecting main sections or parts of a section with instrumentals


Song Building Blocks

A number of common structural elements of a song have been mentioned during this article.
The most common building blocks are:
  1. INTRODUCTION(INTRO)
  2. VERSE
  3. REFRAIN
  4. PRE-CHORUS / RISE / CLIMB
  5. CHORUS
  6. BRIDGE
  7. MIDDLE EIGHT
  8. SOLO / INSTRUMENTAL BREAK
  9. COLLISION
  10. CODA / OUTRO
  11. AD LIB (OFTEN IN CODA / OUTRO)

For details about these common song building blocks, how and why they are used, please read our article, "Song Building Blocks".



Saturday, January 27, 2018

music composition techniques

Notations:

natural notes: SRGMPDN
altered notes: Lower case: rgdnm
higher octave: ' after note
lower octave: . after note
equally divided sub interval of single beat: (...) - under parenthesis
Note continuation: -
Note silence: ,



=====
Music: is structured sound stream of certain interval that has a theme and story, and has intended audience, and is associated with certain emotion.

=> Components:
- structured
- sound stream
- interval (duration of complete music piece)
- theme/story
- intended audience
- emotion

=====
Emotions:
6 basic emotions: jassif:joy.anger.sad.surprise.injustice.fear:
7 emotions: budalli: danger,achievement,bonding,loss,lack,injustice.unexpected=>dabluli



Monday, December 18, 2017

Harmonium Learning

# Play chord here and there
chord for song below:
C-Scale:
Chord I (C-chord): C-E-G: 1-3-5

Finger placement: Thumb-C and then continued fingers
Practice-1: play 5-continuous notes forward
Song: radhe krishna radhe krishna, radhe shyam

ra.dhe krish. na : ra.dhe krish. na :1-5-3(C-G-E)
srgm: pmgr:spg

ra.dhe.shya-m
spg--


practice-2: play more than 5-keys: thumb jumping
=> For playing more than 5 keys: move thumb when playing 'm' or 4-th white key: Then continue 5-continue fingers: => while return: lift the pinky finger and again place on 's' -> continue back all fingers and then on 'g'-> start with middle finger - till thumb on 's' (C)

ha.re.krish.na ha.re.krish.na
srgmpdns'
krish.na.krish.na ha.re.ha.re
s'ndpmgrs
153

Monday, September 28, 2015

raaga - yaman

Note: Flat notation changed from prefix to suffix: :letter followed by dot(.)

Yaman Alankar
Altered Note: M
Aroh:N.RGMPDNS'
Avroh:S'NDPMGRS
Pakad: N.RGRN.D.N.RS
vadi: G
samvadi: N


swar vistar

1. SN.RS: S---,N.-,R-S---
2. SN.D.N.RS: S--,N.D.,N.,R,S
3. SN.D.N.RS: S--,N.--,D--,N.--,R--,S----
4. SN.D.P.P.D.N.RS: S----,N.--,D.--,P.-P.-,D.--N.,R--,S--
5. N.RN.D.N.RS: N.R--,N.--D--N.R--,S--
6. N.RGRN.RS: N.-R-,G--,R--,NR--S----
7. N.RGMGRN.RS: N.-R-,G---M--,G--R-N.R--S---
8. N.RGMPMGRN.D.NRS: N.-R-G-M--P--M--,G--R,N.D.--N-R--S---

raaga - bhupali

Bhupali   (Kan note = grace note: may be before or after - high pitch or low pitch)
-----
Total notes: 5
Altered Note: None
Aroh:SRGPDS'
Avroh:S'DPGRS
Pakad: GRSD. SRG PG DPG RS
vadi: G
samvadi: D


Swar Vistar
-----
1. G R S SD. SRG RG PG DPG RG G R S SD.SRG
2. G R S SRGRS PG DPG SRG PG G R S D.R S
3. S RS G RG D. SRG DPG PG RG R S D.R S
4. S D. P. D. P. D.S RS GRS SRGPGRS PG DPG S DPG PG RG G R S D.R S
5. P.P.D.S D.S P.D.S G RG PGDPG GPDS' DPG DPG PG RG RS SR S
6. SRG RG PGDPG S' DPG R'R'S' DPG G'G'R'S' DPG GPDS'R'G'R'S' DPG PG G R S
7. S' DS' PDS' GPDS' RGPDS' SRGPDS' S'R'G'R'S' G'R'S' DS' R'D S' PPPDS'S'DPGRS  


Alap-8 beats (13-4): Jaun tore charan ka ...
S--- RGRS
SRG-        PG--
(SR)(GP)--  G-RS
P-G-        RGRS

Alap-16 beats (5-4): jaun tore charan kamal par vari
S-DS RG-R  S-PG -RS-
SRG- RG--  PG-- RGRS
SRGP -PG-  RGPG -R-S
GPDP G-S'- DPG- R-S-


Taans-8beats (13-4): Jaun tore charan ka ...
SR GP  DS'  RS'  DP   GR GR S-
SR GR  S-   S-   SR   GP GR S-
GP DP  GR   S-   SR   GP GR S-
SR GP  DP   GP   DP   GR S- S-
GP DS' R'G' R'S' S'S' DP GR S-
GG PP  DD   PP   GR   GR S- S-

Bol Taan:
-----
Singing bols (generally from the bandish itself) in place of sargam, such as ja---un-- jaun---


Bandish: Jaun tore: Teen Taal
-----
Stahyee:
beats: 5-4:
(P)GG(G)DP   GRGR    SD.SR    G--G
(P)GP(S')DS' S'-S'S' S'R'S'R' S'DPP
(S)S'S'G'R'  DDS'-   PDR'S'   DPGR

ja.un.to.re cha.ra.na.ka ma.la.pa.ra va--ri
ho-go-      pa-la.go     vi-da.mu    ra--ri
sha.ra.na-  ga.ta.hun-   dva-ra.ti   ha--ri


Antara:
(P)GG(P)GG  PP(D)S'D (D)S'-S'-    (D)S'R'S'S'
DDDD        S'-S'S'  S'R'S'R'     S'-DP
(D)S'S'G'R' DDS'-    (D)PD(D)R'S' DPGR

a.na.gi.na  du.ri.ta.bha  yo-hun-      ja.da.ma.ti
ki.s.vi.dhi pa-un.cha     tu.ra.tu.ma  re-pa.da
tu/ma.hi-   ja.ga.ke-     e-ka.aa      dha-ra-


-----
Without grace notes:
-----
GGDP   GRGR    SD.SR   G--G
GPDS'  S'-S'S'    S'R'S'R'  S'DPP
S'S'G'R'  DDS'-   PDR'S'   DPGR

GGGG  PPS'D  S'-S'-      S'R'S'S'
DDDD  S'-S'S'  S'R'S'R'  S'-DP
S'S'G'R' DDS'-  PDR'S'   DPGR

   


raaga basics

Ornamentation:
http://raag-hindustani.com/Embellishment.html

Wednesday, January 7, 2015

Song - Tera Munda Bigada Jaaye

Singer: Bali Brahmbhat
Composer: Nadeem Shravan
Lyric:     Sameer
Film:     Stunttman (1994)
Actors: Jackie Shroff, Rita Bhaduri, Satish Shah, Shakti Kapoor, Tinu Anand, Zeba Bakhtiar
---------------------------

amma dekh ha dekh, tera muda bigada jaye
bebe dekh ha dekh, tera muda bigada jaye
amma dekh ha dekh, tera muda bigada jaye
bebe dekh ha dekh, tera muda bigada jaye
amma dekh, amma dekh dekh dekh dekh, muda bigada jaye..BOAA...

amma dekh.... MUSIC, bebe dekh... MUSIC

isake chhote baal kata de, isako, hindi bol sikha de
tv video band kara de, college ka rasta dikhala de
disko men jaana rukava de, hotal me khana rukava de
changi kudi koi dilava de, jaldi se shadi karava de
amma dekh ha dekh, tera muda bigada jaye
bebe dekh ha dekh, tera muda bigada jaye
amma dekh, amma dekh dekh dekh dekh, muda bigada jaye..BOAA...

o pitar zara sun, thodi whisky aur gin
usame lime, mirch hari,   aa ho time
amma dekh ha dekh, tera muda bigada jaye
bebe dekh ha dekh, tera muda bigada jaye
amma dekh, amma dekh dekh dekh dekh, tera muda bigada jaye..BOAA...

pit door tujh body on the floor, check it out,
pit door tujh body on the floor...bhangada
aa.....
pit door baba pit door aha aha, balle balle balle
MUSIC

jatiyan aaiyan pariyan banke, sut gulaabi pake
are jatiyan aaiyan pariyan banke, sut gulaabi pake
pike desi daru you na chhed sharabi aake
sanu chhed sharabi na na, sanu chhed sharabi na, ..
sanu chhed sharabi na na, sanu chhed sharabi na,.

balle balle tu chhad kudiya nu chhedana
balle balle tu chhad kudiya nu chhedana
meri rapat likha dun,  tujhe thaane bhijava dun
hathakadi lagava dun,  bhijava dun ...
chhad kudiya nu chhedana
balle balle ... ho balle balle...
MUSIC

mujhe mama sa mama mako sa
kal ka meri jaan kya hai bharosa
mujhe mama sa mama mako sa
kal ka meri jaan kya hai

hey mom, hey dad, why moan and groan
why don don't you learn to live with the time
to just, ... please leave us alone, ...
what kind of a man, would stand his life
like jack of all trade master of none,
booky hoogi raggi rap, rather rock n roll n bhangada, .... ....    
amma dekh, amma dekh, amma dekh dekh dekh dekh dekh

dekhega na upar niche, aage na na aage pichhe
bibi chakkar men aayegi, is pe pahare bithayegi
bachche bachche ho jayege, is ko raste pe layenge
is pe daal de jimmedari, mushkil hal hogi tab sari,

amma dekh ha dekh tera muda bigada jaye
bebe dekh ha dekh, tera muda bigada jaye
amma dekh ha dekh tera muda bigada jaye
bebe dekh ha dekh, tera muda bigada jaye
amma dekh, amma dekh dekh dekh dekh, muda bigada jaye, BOAA, BOAA